Sociolinguistics
Hamid Reza shairih
Abstract
Identity and vogue are in constant relationship in a discursive regime and as a process pursue the flow of semiosis. Vogue tries to reach an idealized presence with the bond that establishes on the one hand between what it has, but which has become the habit and what the other has , which is not the ...
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Identity and vogue are in constant relationship in a discursive regime and as a process pursue the flow of semiosis. Vogue tries to reach an idealized presence with the bond that establishes on the one hand between what it has, but which has become the habit and what the other has , which is not the habit yet and can be considered the result of the reconciliation with itself. Thus, the discourse of the vogue takes the path in parallel with the reconstruction of identity where we encounter with an idealized body, since in this respect the vogue portrays an image of the other. This similarity with the other creates a distance with the body-habit. The vogue moves in a contradiction with two negative and positive poles. This contradiction guarantees in its turn the rationality of the vogue. The main objective of semiotic analysis of vogue is to show how the vogue passes over the boundary of structures and habits and enters the discourse of chaos –idealism in its own system of social order through a processual and rational manner.
Language & Media
Majid Rahimi Jafari; Behrouz Mahmoudi Bakhtiari; Hamid Reza shairih
Abstract
With regard to the advent of intermediality theory in the recent years, the objective of this study is to bring to the attention the breakdown of the theater discourse space into several forms of media spaces in order to understand their forms of participation in theater through the study of its intermedia ...
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With regard to the advent of intermediality theory in the recent years, the objective of this study is to bring to the attention the breakdown of the theater discourse space into several forms of media spaces in order to understand their forms of participation in theater through the study of its intermedia functions. The communication space will form in relation to the intermedia and collision of host and guest media. In such a communicative context, the primary features of communication may be maintained or make a transition to a new discourse. Accordingly, the paper provides a definition as well as a comparison/contrast of concepts such as media relations and media references, mixmediality, multimediality, transmediality and intermediality. There has always been confusion between concepts of intermedia and intertextuality to the extent that, at times, they have been mistakenly used interchangeably. This study discusses the emergence of intermedia theory and its status in art and media discourse analysis in the era of technology expansion, relying on some plays performed between 2011 and 2016.
